“As an actor I found Mimma to be diligent, enterprising and communicative, a great ensemble member and a rich creative partner. Building upon her CISPA training in Yat Malmgren’s Movement Psychology, Mimma adapted well to our approach to the development process of Arturo Ui: this process made extensive use of the improvisational framework that is Anne Bogart’s Viewpoints — an approach that foregrounds the importance of the ensemble and the actor as a creative artist and co-author of the production .Mimma far exceeded what I had imagined the character (she performed) could become: Mimma fully embodied her character, and showed a striking ability to transition from broad (but grounded) comedy to chilling menace with immediacy and precision.”